Artspod Chats: Adam Nicholas at Polygon Portal

    Step inside the music.

    Spatial audio that surrounds you, surprises you, and makes every album feel brand new.

    Most music lovers have heard their favourite albums in stereo, but what if you could immerse yourself in sound that surrounds and moves around you, inside the music itself? Adam Nicholas from Polygon reveals how his innovative space transforms the way we experience sound, using groundbreaking spatial audio technology that makes you feel like you’re inside a concert or record. This episode uncovers a new frontier in music appreciation that’s changing everything from classic albums to live performances.
    In just six weeks since opening in Soho, Polygon has become one of the few permanent venues worldwide dedicated to immersive listening. Adam shares how they create a relaxed, sensory-rich environment, complete with comfy chairs, dimmed lights, and even a bar to enhance your connection with music.
    You’ll discover how their space allows individual sounds to move around you, offering details you’ve never heard before, even in familiar recordings like Pink Floyd or John Coltrane. 
    This episode is essential listening for musicians eager to explore the future of sound design, audiophiles craving a revolutionary listening experience, and anyone curious about how technology blurs the line between art and perception. With insights into the physical setup, artist collaborations, and what’s next, you’ll learn why spatial audio in a dedicated venue might soon become the standard offering a more natural, immersive way to enjoy music.
    Whether you’re a music fan, a professional sound engineer, or simply passionate about cutting-edge tech, Adam’s journey from concert producer to pioneer in spatial music technology will inspire you to rethink how you connect with sound. As Polygon Portal expands as a permanent fixture in Soho, an entirely new way of experiencing music is within your reach and it’s unlike anything you’ve encountered before. Don’t miss the future of sound; it’s happening now.

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